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The Day After (Original Film Soundtrack)

by Daniel Thomas Freeman

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1.

about

THE SOUNDTRACK ALBUM

'The Day After' was started the day after Russia invaded Ukraine on 24th February 2022 as the score to the abstract experimental 13-minute short film of the same name.

This original soundtrack album contains the full extended 39-minute score of controlled feedback, drone choirs and a thick morass of analogue + digital electronics. Although it is rightly dominated by a slow, glacial and heavy lament for most of its length, something like hope breaks through in the final few minutes: a prayer that resolution will come.

This is the second in the NULL Audience series.


THE SHORT FILM

Official Selection - Brighton Rocks International Film Festival 2022

'The Day After' is an abstract experimental film where wordless images suggest x-ray ghosts of endless apartment blocks and the constant, unyielding dissolution of certainty.

"an extremely fine piece"
- Dr James Rowlins, Festival Director, Brighton Rocks

Made using the Hidden Film Manifesto.

credits

released July 9, 2022

Music written, performed, produced, mixed and mastered by Daniel Thomas Freeman in February to June 2022.

Cover photo from the film 'The Day After'.

Special thanks and love to Val Freeman, Jon Hills and Matthew Watson. Love to family and friends.

Released BE013DTF by Blink in the Endless as unlimited digital editions.

www.descendingangel.com | www.blinkintheendless.com

© 2022 Daniel Thomas Freeman, all rights reserved
℗ 2022 Daniel Thomas Freeman, all rights reserved

UPC: 198003 536722

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all rights reserved

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about

Daniel Thomas Freeman London, UK

Daniel Thomas Freeman is an artist working at the edges of music and film.

His debut feature as director / composer, 'The Silence After Life', won Best Actress at the Brighton Rocks Film Festival. He was also in Rameses III, the ambient/folk/drone band who have had over five million streams.

Other music includes
co-scoring the
feature ‘Catch Me Daddy’ and scoring the short film 'The Life Tree'.
... more

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